Oil On Canvas, Real Flavor of Old Masters

All Francesco Hayez 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
59283  
Ruth, Francesco Hayez
  		 Ruth   Ruth (1835) Collezioni Comunali d'Arte, Bologna
59296  
Samson and the Lion, Francesco Hayez
  		 Samson and the Lion   Samson and the Lion (1842) Galleria d'Arte Moderna, Florence
98158  
Samson und der Lowe, Francesco Hayez
  		 Samson und der Lowe   1842(1842) Medium oil on canvas Dimensions Deutsch: 210 x 162 cyf
59317  
Self portrait at age 69, Francesco Hayez
  		 Self portrait at age 69   Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence
59334  
Self portrait at age 88, Francesco Hayez
  		 Self portrait at age 88   Self-portrait at age 88 (1879) Galleria d'Arte Moderna, Venice
98341  
Self-portrait at the age of 69., Francesco Hayez
  		 Self-portrait at the age of 69.   1860 Medium oil on canvas Dimensions 124 x 97 cm (48.8 x 38.2 in)
59264  
Sicilian Vespers, Scene 1, Francesco Hayez
  		 Sicilian Vespers, Scene 1   Sicilian Vespers, Scene 1 (1821-1822) Private collection, Milan
59300  
Sicilian Vespers, Scene 3, Francesco Hayez
  		 Sicilian Vespers, Scene 3   Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome
93619  
Sizilianische Abende, Francesco Hayez
  		 Sizilianische Abende   1846(1846) Medium oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
93690  
Sizilianische Abende, Francesco Hayez
  		 Sizilianische Abende   1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm cjr
92172  
Sizilianische Vesper, Francesco Hayez
  		 Sizilianische Vesper   1846(1846) Medium oil on canvas Dimensions Deutsch: 225 X 300 cm cyf
98322  
Sizilianische Vesper, Francesco Hayez
  		 Sizilianische Vesper   1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm
59272  
The Ballerina Carlotta Chabert as Venus, Francesco Hayez
  		 The Ballerina Carlotta Chabert as Venus   The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento
59327  
The Death of the Doge Marin Faliero, Francesco Hayez
  		 The Death of the Doge Marin Faliero   The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan
98320  
The destruction of the Temple of Jerusalem., Francesco Hayez
  		 The destruction of the Temple of Jerusalem.   1867(1867) Medium oil on canvas Dimensions Deutsch: 183 x 252 cm
1565  
The Kiss, Francesco Hayez
  		 The Kiss   1859 Brera, Milan
40718  
The Kiss, Francesco Hayez
  		 The Kiss   mk156 1859 Oil on canvas 112x88cm
56249  
the kiss, Francesco Hayez
  		 the kiss   mk247 1859 ,oil on canvas,44x34.5 in,112x88 cm,pinacoteca di brera,milan,ltaly
59258  
The Kiss, Francesco Hayez
  		 The Kiss   The Kiss (1859) Pinacoteca di Brera, Milan.
59324  
The New Favorite, Francesco Hayez
  		 The New Favorite   The New Favorite (Harem Scene) (1866) Private collection, Milan
59292  
The Parting of the Two Foscari, Francesco Hayez
  		 The Parting of the Two Foscari   The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence
59270  
The Patient, Francesco Hayez
  		 The Patient   The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin
59269  
The Penitent Mary Magdalene, Francesco Hayez
  		 The Penitent Mary Magdalene   The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan
59278  
The Refugees from Parga, Francesco Hayez
  		 The Refugees from Parga   The Refugees from Parga (1831) Pinacoteca Tosio Martinengo, Brescia
22838  
The Refugees of Parga (mk22), Francesco Hayez
  		 The Refugees of Parga (mk22)   1828-1831 Oil on canvas,approx 200 x 290 cm Brescia,Pinacoteca Tosio Martinengo
59284  
The Seventh Crusade against Jerusalem, Francesco Hayez
  		 The Seventh Crusade against Jerusalem   The Seventh Crusade against Jerusalem (1838-1850) Palazzo Reale, Turin
87357  
The Sicilian Vespers, Francesco Hayez
  		 The Sicilian Vespers   Date 1846(1846) Medium Oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
80812  
The Two Foscari, Francesco Hayez
  		 The Two Foscari   ca. 1852(1852) Medium Oil on canvas cyf
77505  
The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile, Francesco Hayez
  		 The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile   The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'" The Two Foscari (Title by WGA) ca. 1852(1852) Oil on canvas 168 cm (66.1 in). Height: 121 cm (47.6 in). cjr
84364  
Trivulzio, Francesco Hayez
  		 Trivulzio   1832(1832) Medium Oil on canvas Dimensions Deutsch: 136 x 101 cm cyf
59261  
Ulysses at the court of Alcinous, Francesco Hayez
  		 Ulysses at the court of Alcinous   Ulysses at the court of Alcinous (1813-1815) Galleria Nazionale di Capodimonte, Naples
70948  
Ulysses at the court of Alcinous, Francesco Hayez
  		 Ulysses at the court of Alcinous   Medium Oil on canvas Dimensions 381 x 535 cm
92422  
Valenza Gradenigo before the Inquisition, Francesco Hayez
  		 Valenza Gradenigo before the Inquisition   1835(1835) Medium oil on canvas Dimensions Height: 96 cm (37.8 in). Width: 115.5 cm (45.5 in). cjr
59335  
Vase of Flowers on the Window of a Harem, Francesco Hayez
  		 Vase of Flowers on the Window of a Harem   Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan
59309  
Venetian Women, Francesco Hayez
  		 Venetian Women   Venetian Women (1853) Villa Carlotta, Tremezzo
91543  
Venezianerinnen, Francesco Hayez
  		 Venezianerinnen   1853(1853) Medium oil on canvas Dimensions Deutsch: 55 x 40 cm cyf
98325  
Weiblicher Akt, Francesco Hayez
  		 Weiblicher Akt   oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)
87158  
Zusammentreffen von Jakob und Esau, Francesco Hayez
  		 Zusammentreffen von Jakob und Esau   Date 1844(1844) Medium Oil on canvas Dimensions Deutsch: 208 x 300 cm cjr
89998  
Zusammentreffen von Jakob und Esau, Francesco Hayez
  		 Zusammentreffen von Jakob und Esau   1844(1844) Medium oil on canvas cyf
91114  
Zusammentreffen von Jakob und Esau, Francesco Hayez
  		 Zusammentreffen von Jakob und Esau   1844(1844) Medium oil on canvas cyf
91936  
Zusammentreffen von Jakob und Esau, Francesco Hayez
  		 Zusammentreffen von Jakob und Esau   1844(1844) Medium oil on canvas Dimensions Deutsch: 208 X 300 cm cyf
85814  
Zusammentreffen von Jakob und Esau, Detail, Francesco Hayez
  		 Zusammentreffen von Jakob und Esau, Detail   Date 1844(1844) Medium Oil on canvas cjr
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Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.



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